Bottle Talk
Bottle Talk is Ken Rivard’s sixth book and is a substantial collection of short fiction (monologues) exploring alcoholic behavior. Some of the monologues are heart wrenching.
Some stories are believable and some are incredible. Some are absurd. Some are angry. Some are hilarious. Some are so tragic that they bend back on themselves and become comedy. Some are reflective. All are obsessed with self. All are unvarnished and explore the insanity that accompanies alcohol abuse; insanity meaning doing t he same thing over and over again and expecting different results.
Bottle Talk should be read by anyone who is curious about compulsive behavior and who has been exposed to alcohol or perhaps, alcohol abuse. The book will help readers look at the realities when alcohol consumption crosses that line of social drinking and becomes an illness.
Fiction
190 pages
ISBN 0-88753-371-X
List Price: $19.95
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Whiskey Eyes
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Skin Tests
One of the best new books of fiction to be published this year …
–Calgary Herald
Five foster homes since I was seven. I’ve lived in five of them and I’m eleven at this time. In two days, this year’s foster parents will take me to live in Newfoundland. So today, I go for a skate on an enormous puddle, frozen rock hard, across the street. There I care the letters of the loves of my life. Over and over until the blades run out of alphabet. hen I lie down in the snow.
And so we enter the world of Calgary-based writer Ken Rivard. A prolific writer of “post card fiction” or short prose pieces, this book is a reflection of Rivard’s life, from childhood to the present.
It has the effect “of a skin rash, a massage – itchy, cold, prickly, stabbing, stark, spreading, even contagious at times.
Some stories will get under your skin. Some will cause sores. Some will tickle. Some will simply roll off. Some can be swatted like a mosquito. Some will even open your pores in joy and celebration.”
Skin Tests was a finalist for both The Writers Guild of Alberta Short Fiction Award (2001) and The City of Calgary, W.O. Mitchell Award for Best Book (2001).
Ken’s work has also appeared in dozens of national and international publications and on CBC.
Short Fiction
108 pages
ISBN 0-88753-329-337-X
List Price: $19.95
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Three Times She’s A Lady
from Bottle Talk
“I only do it three times a year but I still need help for my boozing.
What I did was buy a case of champagne and drink every last drop by myself. I booked off work for a few days. Told the boss I’m in the hospital and not allowed to have visitors. Three times a year. Once in the Fall. Once in the Winter. Once in the Spring. I usually made it through the summer dry. I’m an excellent employee. A top professional on the job. A real lady too. The boss never questioned me about my hospital visits. And the champagne made the fear go away. I could be whoever I wanted to be for a week or so and felt wonderfully scared. During my last binge, I became someone I thought I’d never be. No control at all. Stumbled along The Left Bank in Paris. Nearly choked on the neck of a bottle and rolled into The Seine River. Woke up in a somewhere bed. Woke up with a man I’d never recommend , even to my ex-mother-in-law. The first sip killed me. Yes, that first sip sent me places three times a year. My sponsor says I broke out in spots like Montreal, New York or Paris, where I pretended in another language. Be a bilingual drunk. Learned to throw up in French.
Whenever I looked at my glass, it was neither half-full or half-empty. Only too small. Even for champagne. In public though, I stuck with those long, thin-stemmed glasses you hold between your third and fourth fingers, the ones that felt like my bones did after a binge. I was born thirsty.”
Crutches (from Skin Tests)
Remembrance Day. I see only the handicapped boy smelling like fresh bubble gum, face twisted with blue eyes and freckles, short straight hair the color of mahogany, legs like rubber on gymnasium wood. His crutches are gigantic knitting needles click-clacking on the quiet. Everybody in the gym looks like those kids listening to the hearts of their dogs. Listening. For pulses. Get close. Closer. Then the place is filled with one solemn story after another for all those soldiers stuck in the mud of war. The man who was suddenly face-to-face with an enemy soldier looking down at him from the top of a trench but both men too shocked to shoot each other.
“I just couldn’t shoot. Neither could the other guy. He looked like my cousin. Could any of you shoot your cousin? Could you?” the veteran says.
Wheel-chaired men with missing arms and legs. Men who expect us all to stand at attention. Men with honor under their skins. And only the crutch-framed boy cannot stand so easily for that one minute of trumpet playing from a cassette player. The boy stabs the floor with one of his crutches.
“Who are we talking about?” the boy says to me. “Come on, who are we talking about here?” he asks again. “And will someone, anyone, lend me your legs!”
At the front of the gym, a trumpet plays its heart out.
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